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John Trent ist Experte für Versicherungsbetrug und soll den verschwundenen Horrorautor Sutter Cane aufspüren. Doch bald gerät er in einen Strudel rätselhafter Ereignisse - Canes Visionen werden wahr. Originaltitel, John Carpenter's In the Mouth of Madness. Produktionsland, USA. Originalsprache, Englisch. Erscheinungsjahr, Länge, 95 Minuten. agloco.se - Kaufen Sie In the Mouth of Madness günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. Der Soundtrack "In the Mouth of Madness" (Die Mächte des Wahnsinns) läd auf eine unbehagliche Reise ein, die die verstörende Atmosphäre und die Bilder. IN THE MOUTH OF MADNESS ist solch ein Werk und sein Autor Sutter Cane der meistgelesene Schriftsteller Amerikas. Doch plötzlich ist Cane samt Manuskript.
Englisch-Deutsch-Übersetzungen für John Carpenter's In the Mouth of Madness im Online-Wörterbuch agloco.se (Deutschwörterbuch). Der Soundtrack "In the Mouth of Madness" (Die Mächte des Wahnsinns) läd auf eine unbehagliche Reise ein, die die verstörende Atmosphäre und die Bilder. Originaltitel, John Carpenter's In the Mouth of Madness. Produktionsland, USA. Originalsprache, Englisch. Erscheinungsjahr, Länge, 95 Minuten.
When this movie dropped I was constantly carrying it around with me in my back pack, lol. Many of pot smoke filled rooms with freaked out teens in a small town.
Jesus I was fucked up. Anyway, the part that always got me was the scene when the girl, one of the main characters, becomes written.
Twisted me for ever. Great doco Trent isn't real but a character edited by Sutter Cane who is a god now but still has to finish the novel and so reality changes both because of his editing and as he gains more readers.
Cane wrote Styles out and Sam Neil's character is "cheesy pulp novel character" because that is how Cane writes.
What was most funny and ironic, is that many movie critic's complained about just that "Sam Neil's character, John Trent is like out of a pulp novel" As Trent said "Your books sucked!
That little montage right before the talking would make a kick-ass music video. Im gunna need to buy a copy.
Plus i can see now Extreme Ghostbusters used this as influence in an episode where they reference Clive Barker, Stephen King and especially this movie.
Watched this movie 2 days ago and thought it was amazing. Lovecraftian horror at its best. I'm mad I didn't know about this movie before.
I saw this movie when it first was released and I was very young and I found it to be boring. The highest level a movie can get is to be continually thought of after you see it, one of two looks just don't do it.
I think you're missing the point. In The Mouth of Madness, things are never coherent, because there is only madness.
John Carpenter's vampires is 10 times greater than Twilight ever will be. And John Carpenter's ghosts of Mars is a very entertaining underrated movie.
My brother had me watch this movie as a kid,I threw up half way through. Never tried to watch it since. There's a lot of misunderstanding here.
Arcane didn't involve Trent in the hoax. They sent Cane on a publicity stunt, but he didn't show up as Styles says.
When he didn't show up, they hired Trent note: "We did send him, he didn't show up, we weren't supposed to find anything"--all of this says it happened in the past, not that it was happening on this trip.
They excised this detail because they didn't want to send him on what they thought was a red herring, knowing their own hoax was already "done".
Was he real before or not--almost doesn't matter, as the point is that he has no control over existence whatsoever, he can do nothing at all to stop things.
This is deliberately not clean cut, deliberately not explicit sets of rules about was, wasn't, is, and isn't reality--the eventual truth that the Old Ones have returned via Cane's distortion of reality is the only definitive truth.
Whether what we're seeing Trent's story was completely constructed via Cane this is strongly implied, given that the movie and "book it is based on" tell the story the movie does or "corrupted" is irrelevant given the end result that, in the end, Cane has asserted enough control that he's the creator retroactively, even if not "always".
This is a pretty normal concept for this kind of "taking over reality" in that noir-esque "giant conspiracy" sort of way.
If you're trying to nail down exactly what always is or was and making it a timeline, you're doing it wrong--that's not how a story like this works.
If that's unsatisfying, that's certainly subjectively fine, but it's very, very difficult to have that sort of concrete and explicit timeline in a story about madness, authorship, meta-changes to "reality", and questioning reality itself.
Love your reviews Oliver. Your research is exceptional but i think you missed one thing in this movie. There the underground stations name is Hobbs End.
So wait, if everyone else is just a character in the story, does that mean that Cane is the only"real person"? Underrated movie from John Carpenter.
Village Of The Damned was ok. Escape From L. Linda Styles Jürgen Prochnow Wrenn John Glover Saperstein Bernie Casey Robinson Peter Jason Paul Charlton Heston Jackson Harglow Frances Bay Pickman Wilhelm von Homburg Simon Kevin Rushton Guard 1 Gene Mack Guard 2 Conrad Bergschneider Axe Maniac Marvin Scott Reporter Katherine Ashby Learn more More Like This.
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Taglines: Reality isn't what it used to be Edit Did You Know? Trivia Sam Neill , who was originally a director himself, suggested to director John Carpenter that he shoot some of the scenes in the hotel from above.
Goofs at around 16 mins When Linda Stiles is introduced for the first time and is speaking about Sutter Cain's book, she takes her glasses off and folds them twice.
Quotes Linda Styles : Why don't you try reading his stuff? As he watches his previous actions play out on screen, including a scene where he insisted to Linda "This is reality!
Michael De Luca wrote the script in the late s and one of the first directors he offered it to was John Carpenter,  who initially passed on the project.
New Line Cinema later announced production in with director Tony Randel attached to direct. Both are located in Markham, Ontario.
The film pays tribute to the work of seminal horror writer H. Lovecraft , with many references to his stories and themes.
Its title is a play on Lovecraft's novella, At the Mountains of Madness , and insanity plays as great a role in the film as it does in Lovecraft's fiction.
The opening scene depicts Trent's confinement to an asylum , with the bulk of the story told in flashback , a common technique of Lovecraft.
Reference is made to Lovecraftian settings and details such as a character that shares the name of Lovecraft's Pickman family.
Sutter Cane's novels have similar titles to H. The film can also be seen as a reference to Stephen King , who, like Lovecraft, writes horror fiction set in New England hamlets.
It fell to 7 in its second week before leaving the top 10 in week three. Factory re-released the film on Blu-ray in a collector's edition form on July 24, The website's critical consensus reads, "If it fails to make the most of its intriguing premise, In the Mouth of Madness remains a decent enough diversion for horror fans and John Carpenter completists.
Critics generally agreed that the film had good technical aspects, mostly in the form of its special effects, acting, and directing, but suffered from being too complicated, confusing, pretentious, and underwhelming.
Roger Ebert gave the film a mixed two-out-of-four stars, complimenting Neill's acting and Carpenter's work as a director, but ultimately said the film fell flat due to its screenplay, saying " Gene Siskel gave the film the same rating, as did James Berardinelli , who said the film "comes close to doing something interesting but gets cold feet" and is "confusing, weird, and not very involving", comparing the film to buying an exotic sports car owned only to be driven slowly.
In negative reviews, Mick LaSalle of the San Francisco Chronicle said the film was "cheesy horror celebrating the power of cheesy horror, while pretending to be appalled" and gave the film a one-out-of-four star rating.
Fred Topel of About. In fully positive reviews from the time period, the Los Angeles Times gave it an A, calling it "a thinking person's horror picture that dares to be as cerebral as it is visceral", later listing the film as one of the best of Seattle Times also gave the film a very positive review, saying "in a horror scene oversatured with flashy surface-floating images that only serve to briefly shock, Carpenter has the audacity to create a genuinely horrifying concept that dives beneath the surface and brings back a story that will stick with its audiences like a bloody adhesive.
Reel Film Reviews gave the film a three-out-of-four star rating. As with most of Carpenter's work, In The Mouth Of Madness has received a cult following and has gained more positive reviews in the years following its initial release.
Stuckmann wrote that he believes the film would've done significantly better if released today, saying "it fits right in with most indie horror films of the last five years" and also noted this film's influence on modern horror.
From Wikipedia, the free encyclopedia. This article is about the John Carpenter film. For other uses, see In the Mouth of Madness disambiguation.
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