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I would say that of all my books Lolita has left me with the most pleasurable afterglow—perhaps because it is the purest of all, the most abstract and carefully contrived.

I am probably responsible for the odd fact that people don't seem to name their daughters Lolita any more. I have heard of young female poodles being given that name since , but of no human beings.

The Russian translation includes a "Postscriptum" [72] in which Nabokov reconsiders his relationship with his native language.

Referring to the afterword to the English edition, Nabokov states that only "the scientific scrupulousness led me to preserve the last paragraph of the American afterword in the Russian text Alas, that 'wonderful Russian language' which, I imagined, still awaits me somewhere, which blooms like a faithful spring behind the locked gate to which I, after so many years, still possess the key, turned out to be non-existent, and there is nothing beyond that gate, except for some burned out stumps and hopeless autumnal emptiness, and the key in my hand looks rather like a lock pick.

Lolita has been adapted as two films, a musical, four stage-plays, one completed opera, and two ballets. There is also Nabokov's unfilmed and re-edited screenplay, an uncompleted opera based on the work, and an "imagined opera" which combines elements of opera and dance.

From Wikipedia, the free encyclopedia. This article is about the novel by Vladimir Nabokov. For other uses, see Lolita disambiguation.

For the band, see Clare Quilty group. This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations.

Statements consisting only of original research should be removed. November Learn how and when to remove this template message.

United States portal s portal Novels portal. Retrieved 3 January The Atlantic. Retrieved 8 October Great Soviet encyclopedia. The book of ages.

Women's studies: a recommended core bibliography. Loeb Libraries. Russia: a country study.

Sex and Russian society. Indiana University Press. Dangerous pilgrimages: transatlantic mythologies and the novel. Vladimir Nabokov, a reference guide.

Lolita: a Janus text. Twayne Publishers. Philosophy and Literature. The Paris Review. Archived from the original on 19 January Retrieved 31 January Longform Media.

Archived from the original on 21 January Vladimir Nabokov's Lolita: A casebook. Vladimir Nabokov, Lolita: A reader's guide to essential criticism.

Cambridge: Icon Books. The Times. The New York Times. Over her dead body: death, femininity and the aesthetic.

Manchester University Press. Retrieved 2 October Retrieved 30 January Boston Globe. Retrieved 5 February Lolita's Crime: Sex Made Funny.

Retrieved 11 October Antiquarian Booksellers' Association of America. Retrieved 26 June The Telegraph. Retrieved 21 December Vladimir Nabokov: A Descriptive Bibliography.

New York: Garland. Archived from the original on 29 April Archived from the original on 9 October Retrieved on Approaches to teaching Nabokov's Lolita.

Modern Language Association of America. Discourse and ideology in Nabokov's prose. Psychology Press. A companion to rhetoric and rhetorical criticism.

NIV in Russian. The Explicator. The Two Lolitas. Whose Lolita? On the Media. Archived from the original on 4 August Retrieved 17 July Retrieved 14 November Retrieved 20 August The Listener : — Reprinted in Nabokov , pp.

Life : The Endless Groove. Archived from the original on 9 January Retrieved 10 May Retrieved 13 March Chasing Lolita: how popular culture corrupted Nabokov's little girl all over again.

Chicago Review Press. Ireland on stage: Beckett and after. Peter Lang. Philharmonie Thüringen. Retrieved 2 December Retrieved 6 February William Weaver: Cape, pounds 9.

The Independent UK. Retrieved 5 March The quote is on p. Later accounts state it was a full-length opera.

Coteau Books.

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Humbert destroys the letters and retrieves Dolores from camp, claiming that her mother has fallen seriously ill and has been hospitalized.

He then takes her to a high-end hotel that Charlotte had earlier recommended. Humbert knows he will feel guilty if he consciously rapes Dolores, and so tricks her into taking sedatives in her ice cream.

As he waits for the pill to take effect, he wanders through the hotel and meets a mysterious man who seems to be aware of Humbert's plan for Dolores.

Humbert excuses himself from the conversation and returns to the hotel room. There, he discovers that he had been fobbed with a milder drug, as Dolores is merely drowsy and wakes up frequently, drifting in and out of sleep.

He dares not touch her that night. In the morning, Dolores reveals to Humbert that she actually has already lost her virginity, having engaged in sexual activity with an older boy at a different camp a year ago.

After leaving the hotel, Humbert reveals to Dolores that her mother is dead. Humbert and Dolores travel across the country, driving all day and staying in motels.

Humbert desperately tries to maintain Dolores's interest in travel and himself, and increasingly bribes her in exchange for sexual favors.

They finally settle in Beardsley, a small New England town. Humbert adopts the role of Dolores's father and enrolls her in a local private school for girls.

Humbert jealously and strictly controls all of Dolores's social gatherings and forbids her from dating and attending parties. It is only at the instigation of the school headmaster, who regards Humbert as a strict and conservative European parent, that he agrees to Dolores's participation in the school play, the title of which is the same as the hotel in which Humbert met the mysterious man.

The day before the premiere of the performance, a serious quarrel breaks out between Dolores and Humbert, and Dolores runs out of the house.

When Humbert finds her a few moments later, she tells him that she wants to leave town and continue traveling.

Humbert is initially delighted, but as he travels, he becomes increasingly suspicious — he feels that he is being followed by someone Dolores is familiar with.

The man following them is Clare Quilty — a friend of Charlotte and a famous playwright who wrote the play that Dolores was to participate in.

In the Colorado mountains, Dolores falls ill. Humbert checks her into a local hospital, from where she is discharged one night by her "uncle".

Humbert knows she has no living relatives and he immediately embarks on a frantic search to find Dolores and her abductor, but ultimately fails.

For the next two years, Humbert barely sustains himself in a moderately functional relationship with a young alcoholic named Rita.

Deeply depressed, Humbert unexpectedly receives a letter from Dolores, now 17, telling him that she is married, pregnant, and in desperate need of money.

Humbert, armed with a pistol, tracks down Dolores's address and gives her the money, which was due as an inheritance from her mother.

Humbert learns that Dolores's husband, a deaf mechanic, is not her abductor. Dolores reveals to Humbert that Quilty took her from the hospital and that she was in love with him, but she was rejected when she refused to star in one of his pornographic films.

Dolores also rejects Humbert's request to leave with him. Humbert goes to the drug-addled Quilty's mansion and shoots him several times.

Shortly afterward, Humbert is arrested, and in his closing thoughts, he reaffirms his love for Dolores and asks for his memoir to be withheld from public release until after her death.

Dolores dies in childbirth on Christmas Eve, Lolita is frequently described as an "erotic novel", both by some critics but also in a standard reference work on literature Facts on File: Companion to the American Short Story.

This classification has been disputed. Malcolm Bradbury writes "at first famous as an erotic novel, Lolita soon won its way as a literary one—a late modernist distillation of the whole crucial mythology.

Lolita is characterized by irony and sarcasm; it is not an erotic novel. Lance Olsen writes: "The first 13 chapters of the text, culminating with the oft-cited scene of Lo unwittingly stretching her legs across Humbert's excited lap The novel is narrated by Humbert, who riddles the narrative with word play and his wry observations of American culture.

The novel's flamboyant style is characterized by double entendres , multilingual puns , anagrams , and coinages such as nymphet , a word that has since had a life of its own and can be found in most dictionaries, and the lesser-used "faunlet".

Most writers see Humbert as an unreliable narrator and credit Nabokov's powers as an ironist.

Critics have further noted that, since the novel is a first person narrative by Humbert, the novel gives very little information about what Lolita is like as a person, that in effect she has been silenced by not being the book's narrator.

Nomi Tamir-Ghez writes "Not only is Lolita's voice silenced, her point of view, the way she sees the situation and feels about it, is rarely mentioned and can be only surmised by the reader It's Lolita as a memory".

He concluded that a stage monologue would be truer to the book than any film could possibly be. Clegg sees the novel's non-disclosure of Lolita's feelings as directly linked to the fact that her "real" name is Dolores and only Humbert refers to her as Lolita.

The human child, the one noticed by non- nymphomaniacs , answers to other names, "Lo", "Lola", "Dolly", and, least alluring of all, "Dolores".

The Siren-like Humbert sings a song of himself, to himself, and titles that self and that song "Lolita". To transform Dolores into Lolita, to seal this sad adolescent within his musky self, Humbert must deny her her humanity.

In , Iranian expatriate Azar Nafisi published the memoir Reading Lolita in Tehran about a covert women's reading group. She notes "Because her name is not Lolita, her real name is Dolores which as you know in Latin means dolour, so her real name is associated with sorrow and with anguish and with innocence, while Lolita becomes a sort of light-headed, seductive, and airy name.

The Lolita of our novel is both of these at the same time and in our culture here today we only associate it with one aspect of that little girl and the crassest interpretation of her.

For Nafisi, the essence of the novel is Humbert's solipsism and his erasure of Lolita's independent identity. She writes: "Lolita was given to us as Humbert's creature […] To reinvent her, Humbert must take from Lolita her own real history and replace it with his own Yet she does have a past.

Despite Humbert's attempts to orphan Lolita by robbing her of her history, that past is still given to us in glimpses.

One of the novel's early champions, Lionel Trilling , warned in of the moral difficulty in interpreting a book with so eloquent and so self-deceived a narrator: "we find ourselves the more shocked when we realize that, in the course of reading the novel, we have come virtually to condone the violation it presents A minority of critics have accepted Humbert's version of events at face value.

In , Dorothy Parker described the novel as "the engrossing, anguished story of a man, a man of taste and culture, who can love only little girls" and Lolita as "a dreadful little creature, selfish, hard, vulgar, and foul-tempered".

This is no pretty theme, but it is one with which social workers, magistrates and psychiatrists are familiar. In his essay on Stalinism Koba the Dread , Martin Amis proposes that Lolita is an elaborate metaphor for the totalitarianism that destroyed the Russia of Nabokov's childhood though Nabokov states in his afterword that he "[detests] symbols and allegories ".

Amis interprets it as a story of tyranny told from the point of view of the tyrant. Nabokov finished Lolita on 6 December , five years after starting it.

Via his translator Doussia Ergaz, it reached Maurice Girodias of Olympia Press , "three-quarters of [whose] list was pornographic trash".

Lolita was published in September , as a pair of green paperbacks "swarming with typographical errors". The novel then appeared in Danish and Dutch translations.

Two editions of a Swedish translation were withdrawn at the author's request. Despite initial trepidation, there was no official response in the U.

Putnam's Sons in August The book was into a third printing within days and became the first since Gone with the Wind to sell , copies in its first three weeks.

The novel continues to generate controversy today as modern society has become increasingly aware of the lasting damage created by child sexual abuse.

In , an entire book was published on the best ways to teach the novel in a college classroom given that "its particular mix of narrative strategies, ornate allusive prose, and troublesome subject matter complicates its presentation to students".

Many critics describe Humbert as a rapist, notably Azar Nafisi in her best-selling Reading Lolita in Tehran , [47] though in a survey of critics David Larmour notes that other interpreters of the novel have been reluctant to use that term.

However, Nabokov biographer Brian Boyd denies that it was rape "in any ordinary sense," on the grounds that "it is she who suggests that they try out the naughty trick" which she has already learned at summer camp.

It bears many similarities to Lolita , but also has significant differences: it takes place in Central Europe, and the protagonist is unable to consummate his passion with his stepdaughter, leading to his suicide.

The theme of hebephilia was already touched on by Nabokov in his short story " A Nursery Tale ", written in Also, in the Laughter in the Dark , Margot Peters is 16 and had already had an affair when middle-aged Albinus becomes attracted to her.

In chapter three of the novel The Gift written in Russian in —37 the similar gist of Lolita ' s first chapter is outlined to the protagonist, Fyodor Cherdyntsev, by his landlord Shchyogolev as an idea of a novel he would write "if I only had the time": a man marries a widow only to gain access to her young daughter, who resists all his passes.

Shchyogolev says it happened "in reality" to a friend of his; it is made clear to the reader that it concerns himself and his stepdaughter Zina 15 at the time of Shchyogolev's marriage to her mother who becomes the love of Fyodor's life.

Nabokov used the title A Kingdom by the Sea in his pseudo-autobiographical novel Look at the Harlequins! In Nabokov's novel Pale Fire , the titular poem by fictional John Shade mentions Hurricane Lolita coming up the American east coast in , and narrator Charles Kinbote in the commentary later in the book notes it, questioning why anyone would have chosen an obscure Spanish nickname for a hurricane.

There were no hurricanes named Lolita that year , but that is the year that Lolita the novel was published in North America.

The unfinished novel The Original of Laura , published posthumously, features the character Hubert H.

Hubert, an older man preying upon then-child protagonist, Flora. Unlike those of Humbert Humbert in Lolita , Hubert's advances are unsuccessful.

The novel abounds in allusions to classical and modern literature. Many are references to Humbert's own favorite poet, Edgar Allan Poe.

Humbert's first love, Annabel Leigh, is named after the "maiden" in the poem " Annabel Lee " by Poe; this poem is alluded to many times in the novel, and its lines are borrowed to describe Humbert's love.

A passage in chapter 11 reuses verbatim Poe's phrase A variant of this line is reprised in the opening of chapter one, which reads In a princedom by the sea.

Humbert Humbert's double name recalls Poe's " William Wilson ", a tale in which the main character is haunted by his doppelgänger , paralleling to the presence of Humbert's own doppelgänger, Clare Quilty.

Humbert is not, however, his real name, but a chosen pseudonym. The theme of the doppelgänger also occurs in Nabokov's earlier novel, Despair.

Chapter 26 of Part One contains a parody of Joyce 's stream of consciousness. If you disable this cookie, we will not be able to save your preferences.

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Create an account. Home News. WhatsApp may soon block screenshots of chats and other updates inside. All Free Download. After being sold by her family to an okiya geisha house , she makes too many mistakes and is punished by being demoted to a slave.

The young Chiyo feels very unhappy and hopeless until she is noticed by an older man, the Chairman Ken Watanabe , who compliments her rare blue eyes and buys her an iced cherry sorbet.

The Chairman gives her his handkerchief with some money in it, so that she could buy some food for herself. Instead she gives the money to the gods and wishes to someday become a geisha.

Cut to a year-old Chiyo Zhang Ziyi who still loves and dreams about the Chairman, keeping his handkerchief underneath her clothes, next to her heart.

Despite all odds, she becomes a maiko geisha in training thanks to Mameha Michelle Yeoh and reunites with the Chairman who has been her entire reason and motivation for becoming a geisha.

After traveling around the world for the past two decades, Charlie starts to live with them, seemingly to offer his support after this family tragedy.

Evelyn grows closer to him, since he reminds her of her husband when they first met and fell in love. India, however, rejects all his attempts at friendship.

India discovers more about Uncle Charlie than she wants to and becomes drawn to him. Their relationship, besides incestuous and unhealthy, is dangerous — for everyone.

Toby is hugging her favorite teddy bear and she dramatically responds by wishing for Jareth the Goblin King David Bowie , a character from her favorite play to take Toby away.

Surprisingly enough, he appears and does just that, despite her pleas to leave them alone, saying that she was just being melodramatic.

As a compromise, he gives her thirteen hours to find her way through his labyrinth and save Toby before he turns him into a goblin.

Sarah falls into a trap, causing her memories and motives to fade. She escapes into a dream world set in a ballroom with 80s dresses and Bowie pop songs, where Jareth finds and dances with her.

The Goblin King shows in the most contradictory way, that he is doing all this because he is in love with her. His obsession with her is why he tortures Sarah so that she becomes trapped in his world forever.

He illogically insists that he would be her slave, if only she does everything he wants. He immediately responds by offering her the extra room in his house that he shares with his children half the time.

She accepts and starts living with him. Jenny Carey Mulligan is a bored year-old student focused on getting into Oxford University.

Her days revolve around studying and her free time is spent practicing cello in the hopes of becoming a more attractive candidate.

Enter the rich and sophisticated David Peter Sarsgaard , who offers Jenny a lift back from cello practice one rainy day.

He draws her into his glamorous lifestyle, a welcome change from reading Latin dictionaries. This soon escalates to a weekend trip to Oxford and culminates in a trip to Paris for her 17th birthday.

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